Mods & Rockers Film Festival Starts Another British Invasion

While Americans were celebrating the Fourth of July this summer, the English were celebrating another British Invasion. A British Invasion of Los Angeles, that is.

The English chose Independence Day 2006 to kick off the eighth annual “Mods & Rockers” summer film festival at Hollywood’s elaborate Egyptian Theatre. The date marked the 40th anniversary of the British Invasion of pop music upon American shores. The American Cinematheque, a film group dedicated to the preservation and screening of rare and classic movies, opened the festivities by showing a time capsule gem titled “Go-Go Mania!” Way, way before MTV, this music revue featured made-for-broadcast performances by British groups like The Animals, Herman’s Hermits, Peter and Gordon, Billy J. Kramer and The Dakotas, The Fourmost and The Spencer Davis Group.

In lieu of American celebratory fireworks, the Brits spiced up the screening with a live concert in the theatre courtyard featuring Spencer Davis and Gordon Waller (of Peter and Gordon fame) backed up by The Ravers. The Spencer Davis Group was one of the British Invasion bands that grabbed hold of blues styles. They had international hits with “Gimme Some Lovin” (1966) and “I’m A Man” (1967). Peter and Gordon were often compared to the Everly Brothers and had great success with ballads written for them by Paul McCartney and John Lennon. They scored on the charts with “A World Without Love” in 1964.

Joining Davis and Waller on stage was American songwriter Stephen Bishop, best known for the ballad “On and On” and the theme song for the film “Tootsie.” Bishop ad libbed a wicked imitation of John Lennon trying to explain the colossally misunderstood Jesus Christ comment in his best Liverpudlian. A surprise guest for the evening was Rod Stewart’s bassist, Phil Chen, who has played with Donovan, Jeff Beck, Jackson Browne and Pete Townshend.

When all four of the rockers were waling away on their guitars deep into an improvised version of “I’m A Man,” they blew out the power on the courtyard stage. After a few jokes about Yankee sabotage, American ingenuity soon got the musicians plugged back in for more music.

The British also reveled in another 40th anniversary by celebrating the 1966 World Cup victory of the English football team. The achievement was honored with the screening of the award winning documentary titled “Goal! World Cup 1966.” Just imagine it. Swinging London was in full bloom. The British Invasion of music and fashion was at its zenith. England was hosting the World Cup games for the first time ever. To top it off, England beats Germany in a harrowing overtime championship game attended by Queen Elizabeth. Hail, Britannia.

The American Cinematheque continues the “Mods & Rockers” festival of rare, goofy and cult films from the 1960s in two theatres in the Los Angeles area throughout August.

How NOT to Do Film Parodies: A Not-so-loving Look at Aaron Seltzer's <em>Date Movie</em>

Ever since the Zucker-Abrahams-Zucker team took a 1950s aircraft-in-peril movie titled Zero Hour and skewered its melodramatic excesses in the now-classic Airplane!, the "film parody" sub-genre of comedy films has spawned hit-and-miss efforts that encompass all kinds of Hollywood genres...action-adventure (Hot Shots!)...spy/war movies (Top Secret!)...teen sex comedies (Not Another Teen Movie)...and horror shlockers (Dracula: Dead and Loving It, Scary Movie 1-3).

Most of these parodies follow the same formula: take familiar character types and situations from the genre you are lampooning, cast popular and semi-popular actors to draw in viewers, then make as many visual or situational references to big films in the above-mentioned genre, adding as many ridiculous touches as you possibly can.

In an ideal situation, as in Airplane! or the older Blazing Saddles and Young Frankenstein, the trick is to have the actors play the roles as straight and seriously as possible while adding the funny dialogue or hilarious visual joke. The juxtaposition of the dry performances and the humorous detail is what makes a film parody work.

Unfortunately, the current batch of supposedly "loving comic tributes" to formula films (including the Scary Movies) tends to focus excessively on the jokes without even asking for performances from the actors. Instead of taking their cues from the ZAZ team or even Mel Brooks and telling the cast to not let audiences know that they are in on the jokes, Jason Friedman and Aaron Seltzer allow Allyson Hannigan, Adam Campbell, Sophie Monk, and their cast-mates to mug, wink-and-nod, and practically shout to the viewer, "Hey, we are making fun of My Big Fat Greek Wedding, Bridget Jones' Diary, Napoleon Dynamite, Shallow Hal, Wedding Crashers, Hitch, When Harry Met Sally, The Bachelor, and even Star Wars Episode III: Revenge of the Sith!"

The plot, if you want to call it that, centers on Julia Jones (Hannigan), a seriously overweight girl who falls for the handsome Grant Fockyerdoder (Campbell) when he stops for coffee at her parents' Greek restaurant. In a mish-mash of story points cribbed from Hitch, My Big Fat Greek Wedding, and every mediocre to bad romantic comedy ever made, Julia gets an extreme makeover in what looks like an auto paint and body shop and becomes a sexy slinky "babe" who, after getting engaged to Grant, meets his parents (a wasted Fred Willard and Jennifer Coolidge) and has to contend with his almost-ready-for-porn-movies ex-fiancee Andy (Monk). 

And as viewers of any of the quickly disposable romantic comedies being "skewered" here can tell you, hilarity supposedly arises from a series of misunderstandings, comedic errors, and stereotypical situations where everything goes as predicted no matter what.

Grant Funkyerdoder: [voice-over reading his message to Julia] If you still love me the way I love you, meet me where Meg Ryan met Tom Hanks.
Julia Jones: On the Internet?
Grant Funkyerdoder: [still in voice-over] No, not in "You've Got Mail," in "Sleepless in Seattle."

However, director Seltzer makes the fatal error of focusing way too much on the visual jokes and references to other films and not on the actors' performances. He just takes entire sequences from other films and plops them into Date Movie willy-nilly, without taking any creative risks and adding more bite or naughtiness to them. It's as though he and his writing partner Friedman want to go for easy and cheap laughs without taking any chances.

He also has no, repeat, no sense of comedic timing. In a bit supposedly inspired by Bruce Almighty and There's Something About Mary, the viewer is forced to endure an overly long vignette involving Jinxler the Cat and a toilet. Had it been a quick-and-dirty sort of thing, it might have been funny. However, Seltzer lingers lovingly on this rather off-putting bit for over two minutes of running time.

As much as I enjoy a silly comedy every now and then (Thou shalt not live on action-adventure alone is my moviegoer's motto), and as much as I love even an admittedly in-your-face "stupid humor" film, I'm not amused by most of Date Movie. It's a waste of even Carmen Electra's rather limited talent, and it's waste of time and money.

Alyson Hannigan .... Julia Jones
Adam Campbell .... Grant Fockyerdoder
Sophie Monk .... Andy
Eddie Griffin .... Frank Jones
Meera Simhan .... Linda Jones
Fred Willard .... Bernie Fockyerdoder
Jennifer Coolidge .... Roz Fockyerdoder
Marie Matiko .... Betty
Judah Friedlander .... Nicky
Carmen Electra .... Anne
Tony Cox .... Hitch
Mauricio Sanchez .... Eduardo/Housekeeper
Beverly Polcyn .... Old Cart Woman
Valery M. Ortiz .... Jell-O
Charlie Dell .... Justice of the Peace

Recommended:
No

The Independent Film Scene in Eugene, Oregon

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The small, but active Independent film scene in Eugene, OR seems to be growing at the same pace as the bustling city itself. Even with a population of fewer than 150,000, Eugene is no stranger to the movies. The block buster comedy “Animal House” was shot at the University of Oregon campus, the Eugene celebration has just started the Best Film Festival to help showcase Oregon’s film industry, and the Bijou Art Cinemas continues to play fresh creative films on a daily basis. More activity is on the way.

The Oregon Screenwriters Group calls Eugene their home and meets at Eweb every month to share creative film works and help each other. Many of their members are film and television industry professionals who can offer invaluable help to newcomers. Their membership is free and open to anyone from writers, actors, actresses, filmmakers, producer, directors, camera folk, grips, to “Shakespeare’s ghost”. They are even working on organizing another Eugene Film Festival. Meetings are held the last Sunday of each month from 6-8pm and always at EWEB address: 500 East 4th Avenue Eugene. The Eugene Film Festival planning meetings are every other Thursday at 8:30 at EWEB, beginning Sept. 8th. Get involved!

The Eugene Celebration in 2005 will kick off the first annual Best of the Best Film Festival at the McDonald Theatre, 1010 Willamette St., in downtown Eugene. It’s goal is to showcase Oregon’s booming independent film industry and shed light on other exciting Oregon film festivals. Many different film genres and styles from animated shorts to full length features will be presented. The website to check out to stay up on all the latest happenings in independent film throughout Eugene would be the Eugene Indie. Other publication which would include festival information and screening would include the Eugene weekly, See the resources section for their websites and contact information.

If you want see the latest independent films all year round check out the Bijou Art Cinemas, an independent movie theater located between Mill and Ferry Streets, four blocks west of the University of Oregon campus. The “Spanish Mission” style building has been around since 1925, when it was designed by the first dean of of the U of O school of architecture. Besides showing film daily the Bijous is available for private movie screenings or celebrations. It has also been known to support local productions.

Choosing the Sex of Your Baby

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The topic of choosing the sex of your baby has been of interest to many people. I myself have been interested in conceiving a boy. To learn more on this topic, I  read the book "How to Choose the Sex of Your Baby" by Landrum B. Shettles.  This book was informative and very easy to understand.   Because of the success I have attained from this book, I have decided that a review of this book shall be in order to help others in my situation.

People have various reasons for wanting to have a child of a certain sex.  There can be medical or genetic reasons.  Or, some people may have had several girls and would now like to have a boy.  Whatever the reasons are,  Dr. Landrum B.  Shettles describes how to do so in this book.

This book begins by describing several medical aspects.  First, there are two types of sperm.  The "y" sperm which conceives a boy, and the "x" sperm which conceives a girl.  Y sperm is very fast swimming, but small and weak.  X sperm is slow swimming, but much larger and stronger.  

Dr. Shettles describes timing is the key. If you wish to conceive a boy, you must try to conceive within 2 days of ovulation.  This is because the egg will already be present so that the fast swimming y sperm can get to it faster.  But if you want a girl, you should have intercourse as much as 5 days before ovulation.  This is because the y sperm is weak and would have died off before the egg is present.  But the strong, slow swimming x sperm can survive this long.

Dr. Shettles then describes how to chart your ovulation schedule and recommends doing this for several months before conception.  Dr. Shettles also goes over several other means of adding to the success of conceiving the sex of your choosing.  This includes basal body temperature, what types of clothing to wear, and something you can consume to help at your task.  To find out what that is, you're just going to have to read the book!  

The book also has a large section depicting why some people just can't have a child of a certain sex.  You must read the book to learn if you fall into any of these categories.  There is an awful lot of things that many people are not aware of.

This book was probably the most informative book I have ever read.  And, I must say, it worked for me!  I was so happy with my results, that I lent out the book to several of my friends who also obtained the results they wanted.  Please be forewarned that you really must read this book before you attempt it.  All of the information contained within it has been medically proven.  There is so much you can learn from it.  i recommend it to anyone who has an interest in this topic.  I give it my highest ratings.  

You can purchase "How to Choose the Sex of Your Baby" by Landrum B. Shettles at any retail bookstore for $13.95